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For one night only on Friday, Shimomura will offer 鈥淜abuki Rehearsal鈥?and approximately 35 other prints at a solo show at , 512 E. Ninth St. The reception will run from 5:30 to 9 p.m.
Shimomura, who retired from KU in 2004 and now holds the title of distinguished professor of art emeritus, has seen his work among the permanent collections of more than 90 museums nationwide, including the Metropolitan Museum of Art in New [url=http://www.annphysiocare.com/wp-images/ray_ban_erika_sale_411215.html]ray ban erika sale[/url]
York City and the Museum of American Art and the National Portrait Gallery at the Smithsonian.
Throughout his prolific career, Shimomura has explored what it means to be seen as an outsider within his own American culture. His few memories of Minidoka 鈥?combined with entries from his grandmother鈥檚 diary 鈥?provided the basis for much of his early work.
A third-generation American, Shimomura鈥檚 art combines the aesthetics of Japanese woodblock prints with the saturated hues of Pop Art and his childhood love of comic books, often confronting ugly stereotypes of Asian Americans left over from WWII.
Throughout is a common message. 鈥淚鈥檓 not Japanese. I鈥檓 American,鈥?says Shimomura, who will also give a short talk Friday at 6:30 p.m. about his beginnings in printmaking.
While it鈥檚 easy to become 鈥渨orked up鈥?reflecting on these issues, it鈥檚 not the kind of anger that leads to physical violence, says Shimomura.
鈥淭here is a creative way of funneling that into your work. I tried to teach students that in the years I taught at KU 鈥?how to mediate personal issues,鈥?he says. 鈥淚t didn鈥檛 have to be about ethnicity. It could be about parents, finances, anything.鈥?
Despite his 鈥減urely American鈥?upbringing and education 鈥?the Seattle native served as an officer in the U.S. Army before studying art at the University of Washington and Syracuse University 鈥?Shimomura says people still look at him and see a foreigner.
That鈥檚 certainly the case here in Kansas, where Shimomura settled in 1969 after accepting his teaching position at KU.
While attending an auction in those early years, a farmer asked the artist how he had learned to speak English and if he painted geisha girls, Shimomura recalls in a 2014 catalogue of his recent work.
Ultimately, though, he found himself growing attached to Lawrence, where he has maintained a home for nearly 50 years.
The city has become more culturally aware in that time, Shimomura says, but experiences like that day at the auction have continued to fuel his work.
鈥淚 really doubt whether I鈥檇 be doing what I鈥檝e been doing had I been living on the West Coast,鈥?he says. 鈥淟iving in the Midwest, certainly, has made all the difference in the world.鈥?
Other Final Friday happenings
Here are a few highlights of February’s Final Friday events. Check out the for more ideas.
鈥⒙燞ank Charcuterie, 1900 Massachusetts St., will make its Final Friday debut this weekend with the opening of Nicole Cawlfield’s Dark Farm Series. In her most recent work, the photographer transfers her images of abandoned Missouri and Kansas farm structures onto salvaged antique ceiling tiles. A reception will be held from 4 to 7 p.m., and will include hors d’ oeuvres and drink specials.
鈥⒙燗t the Lawrence Percolator, 913 Rhode Island St., a group of Kansas artists will share their work as well as stories, images and information about the Kansas Paraguay Exchange. The organization promotes cultural understanding and fosters international economic and social connections between Kansas and Paraguay. Judith Burns McCrea, Amber Hansen, Eric Conrad and Marguerite Perret will be on hand for the event, which will include a brief presentation at 7:30 p.m.
鈥?JJ’s Glass, 313 E. Eighth St., will hold an “Open House & Gypsy Market” from 5 to 9 p.m. Local glass artists will give glass-blowing demonstrations during the event, while the gypsy-market portion will focus on handcrafted art and goods made by local artists.
